Gallery 40, Brighton. August 2019. Photo by Andrew King

I paint expressive landscapes and figures using sketches done outdoors, photos - and drawings of photos - taken on my Holga camera or iphone as starting points. I love the physicality of painting, especially the way it takes me out of my head and into my body, and the surprising turns a painting can take when it's let off its leash!

COMMENTS ON MY WORK 

Michaela Ridgway’s images balance bold, spare human drama with a frail, unfinished state of becoming. Her devotion to practice and process gives the work a mystique, an internal contradiction, that makes it compelling and timeless.
— Rachel Spence, art critic, Financial Times
Every time I see a new painting by Michaela Ridgway I feel a surge of joy. What most astounds me is the extraordinary confidence in the way they are painted. They are so brave, exploratory, intimate.
— Annie Freud, Painter and author of three poetry collections from Picador; The Best Man That Ever Was (2007), The Mirabelles (2014), and The Remains (2015).
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Michaela literally draws you in to her line of vision and you stand in wonderment at what she notices and how she explains it to you through her work.
— Jane Fordham, Painter
Michaela is a very honest painter, she just does it, no nonsense. And her paintings always seem to cheer me up.
— Katie Sollohub, Painter
Michaela Ridgway’s art gets to the heart of the matter, through purity and clarity; unburdened by ego or fancy footwork. Her paintings attain an essence, much like alchemy - leaving behind, and editing out that which is unnecessary.
— Gary Goodman, Painter & poet
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